Claude Gaveau

French Modernist Fauvist Oil Painting Claude Gaveau School of Paris

CLAUDE GAVEAU (1906 - 1970) A beautiful and large signed oil on canvas by the important french painter Claude Gaveau. The work is signed upper right and unlined and unrestored on its original canvas. Title: “Composition” Signature: Signed upper right Medium: Oil on original canvas Provenance: Private french collection Size: c. 24 x 29 inches unframed Claude Gaveau (1906 - 1970) is a French painter born in Neuilly-sur-Marne in 1940. The painter was born near Paris and studied there as well as in Belgium. He comes from a family of artists, his grandfather was the creator of the Jardin des Plantes in Paris. He is passionate since very young about painting and entered the Ecole des Arts Appliqués in Paris in 1955 where he studied mural art for five years, stained glass, tapestry, mosaic and fresco. In 1960, he studied at the Ecole Supérieure des Beaux-Arts in Paris, becoming equally accomplished in oil painting, watercolor, drawing and lithography, pastel and gouache. Influenced by great Post Impressionist painters such as Paul Cézanne, George Braque and Raoul Dufy, Gaveau gets inspired as well by music and lyricism. His talent was quickly recognized, in 1963 he won his first prize and obtained a scholarship from the Academy of Antwerp, Belgium which allowed him to study Flemish painting in Brussels. In 1965, with only 25 years, he made his first solo exhibition at the Angle Aigu Gallery in Paris. His career took a real turn in 1968 when he was nominated for the "la Critique Parrainé" Award by the Saint Placide Gallery in Paris. A recurrent traveler, the landscapes he observes all around the world allow him to broaden his artistic palette. Other exhibitions of his work followed during the 1960’s and 1970’s in France with the Galerie Vauban in Dijon in 1967, 1968 and 1970; with the Galerie Saint Placide in Paris in 1968; with the Galerie Marc Hudier in Belfort in 1970; and three one-man shows with the Galerie La Belle Gabrielle in Paris in 1972, 1975 and 1978. In 1980 Claude Gaveau had his first one-man exhibition with Wally Findlay Galleries...

A Pacific Northwest native, Bauer was born in Vancouver, Washington, and has maintained a studio in Portland, Oregon since 1976. She attended the Pacific Northwest College of Art and the University of Oregon where she received her M.F.A. Since that time, she has exhibited her work throughout the Northwest while teaching art as an associate professor at Marylhurst University. Bauer applies her modernist approach to her artwork, and her paintings become a sort of balancing act in reconciling her subjects and her techniques. Teetering between abstraction and representational, Bauer's houses are depicted as simplified forms, exploiting a universal iconography. The recognizable elements in her artwork – trees, buildings – are unconventionally depicted in wide patches of overlapping color, "pulling each painting away from literal interpretation." Marlene Bauer's abstractions stem from her interest in the visual dynamics of a quick impression of a landscape from a moving car or a glance out a window. The artist has exhibited her work in solo exhibitions at the Laura Russo Gallery, the Elizabeth Leach Gallery (both in Portland), and the Davidson Galleries in Seattle. Bauer's artwork is included in many of the region's public and private collections including the King County Regional Justice Center, Bank of America, the City of Portland, the City of Seattle, the Oregon State...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, who...

Bold, colorful abstract bouquet of flowers in a vase. 25.5 X 20 inches, framed. 16 X 12.5 canvas in original carved wood frame. Provenance: Gallery Hadassa (Klachkin) Tel Aviv. Bears label remnant verso. Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer...

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965) American painter and printmaker. Born in Brooklyn Heights, Beulah (Elsie Sloan) Stevenson lived there her entire life. In New York she studied at the Pratt Institute and the Art Students League, where her instructors included Ashcan artist John Sloan; in Provincetown, she worked and studied with Abstract Expressionist artist Hans Hofmann (an influential teacher whose students included many notable artists including Lee Krasner, Helen Frankenthaler, Irene Rice Pereira, Gerome Kamrowski, Fritz Bultman, Wolf Kahn, Marisol Escobar and Beulah Stevenson), a long-time curator at the Brooklyn Museum, was also among his pupils. Her work appeared in many group shows, and she won a number of awards. She was a curator at the Brooklyn Museum for many years, and that museum owns a number of examples of her work, as do the Library of Congress and the New York Public Library. Stevenson maintained many professional associations during her career; she was president of the New York Society of Women Artists, a board member of the National Association of Women Artists, and a vice-president of the Brooklyn Society of Artists, Art Institute of Chicago, International Graphic Society Inc., Philadelphia Print Club, Provincetown Art Association and the Creative Artist's Association. She also belonged to the American Artists' Congress which promoted social-realist style of American scene painting, she left to join the Federation of Modern Painters and Sculptors established To Promote Avant-Garde Art. Stevenson was said by a friend to have destroyed many of her papers prior to her death, but a collection was donated to the Archives of American Art at the Smithsonian Institution. Select Group Exhibitions Art Institute of Chicago; , Library of Congress, Washington, D.C.; Print Club of Philadelphia; National Arts Club, New York; Metropolitan Museum; Whitney Museum; Brooklyn Museum; Chicago Art Institute; Pennsylvania Academy Of Fine Arts; Rochester Memorial Museum; St. Paul Museum; M. H. De Young Memorial Museum Of Art; Houston Museum Of Art; William R. Nelson Museum Of Art; Columbus Museum Of Art; American Institute Of Graphic Arts; Provincetown Art Association; Columbia Museum Of Art; Schenectady Museum Of Fine Art; Portland Museum, ME; Royal Society, London; Gallery O...

This piece is done in a sort of sgraffito technique with the flowers sort of etched in the paint. Born in Tokyo, Japan, Nobu Fukui Came to New York where he became a US citizen. From 1964 - 65, he studied at the Art Students League in New York City. His work has been widely exhibited in New York and California. He had his first one-man show in this country in 1965 at the Daniels Gallery in New York. That same year his works were included in the Japanese Artists in Europe and America Exhibition at the National Museum of Modern Art in Tokyo. This was followed by numerous exhibits and one-man shows in various cities in the United States and Japan - New York, Indianapolis, Ann Arbor, Pittsburgh and Yokohama, for example. Fukui's works are formal, dynamic and abstract. Form functions minimally as a symmetrical structure so as to focus on his real interest in color interaction. Fukui's work is represented in the collections of The Museum of Modern Art, New York City; Larry Aldrich Museum, Conn; Dartmouth College, NH; New York State University, Potsdam NY; Roosevelt College, Chicago IL; Westinghouse Corp, The National Museum of Modern Art, Tokyo, Japan; The New Britain Museum of American Art, New Britain, CT; The Indianapolis Museum of Art, Indianapolis, IN and The Eli and Edythe Broad Art Museum, East Lansing, MI, Indianapolis Museum of Art; National Museum of Modern Art, Tokyo and National Museum of Modern Art, Kyoto, Japan; amongst others. and other private collections. He has exhibited widely, including solo shows at Daniels Gallery, Max Hutchinson Gallery, Marisa Del Re Gallery, and Steven Haller...

Darius Yektai's "White Tulips" is a large-scale, layered, oil on resin, on canvas painting. White Tulips is archetypal in all but scale. Yektai’s stateme...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

'Omega I' is an abstract pointillist painting featuring hues of tan, ocher, green, brown, pink and black. Robert Hightower is inspired by the work of Giotto, Hieronymus Bosch, Jean-François Millet, Roger Brown, Howard Arkley and Julian Opie. This piece is a part of a special immersive gallery installation, “The Apocalypse Simulacra,” which is a narrative presentation of the twilight of humanity, at the fulcrum of extinction by Atlanta-based artist Robert Hightower. Through stage-set constructions, readymade plastic models and paintings, Hightower investigates the duality of right/wrong, good/bad, eternal/ephemeral in light of the imminent end of the Human Epoch. It depicts the ideological origins of corporate greed and power, the reality of wealth distribution in the “American Dream,” and the socio-economic and environmental impacts of that collective greed. After receiving a BFA in sculpture from the University of Georgia, Hightower moved to New York City and participated in The Bronx Museum of the Art’s AIM Fellowship (Artist In the Marketplace). While in New York, his interests expanded to include art installation and the creation of spaces, and has since designed and built many unique homes, penthouses and restaurants throughout the United States. Hightower has returned home to Atlanta and will be presenting his most comprehensive body of work to date, “The Apocalypse Simulacra,” a unique universe of beauty, dichotomy and uncertainty. ARTIST STATEMENT The 'Apocalypse Simulacra' is a presentation of the twilight of humanity, at the fulcrum of extinction. The climate is the subject. The Simulacra is the Theme. First discussed by Plato, the Simulacra is the search for Truth in Duality. Developing into Post-Modernism with Nietzsche’s: truth=Truth. Now with Bauvillard, the Simulacra has evolved beyond Post-Modernism, into the wholesale confusion of the real/fake, the true/false… between reality and hyper-reality. This crumbling, confusing of the truth (not necessarily the Truth) is our Reality. For over two decades, I have created large format paintings of strip malls, suburban houses and toys. These paintings present singular images flattened-out (almost floating) on color-fields. They create a certain duality - a loving portrait of an inanimate object that would not normally be singled-out for affection. With my latest work, I have added a variety of iconic images: an airplane, a whisky bottle, a woman floating in a pool. The icons are presented in a pixelated or degenerated state. In addition to paintings, I have used adult-size building blocks to create sculptures or three-dimensional paintings. Using a child's toy at an adult-scale gives the building blocks an austere and powerful presence. The building blocks echo the blocks of the pixelated paintings...

Shades of cool clear pool blue, aqua grey - with refreshing colors of water in Anne Subercaseaux's wonderful 'Reflections on Crossing XXVI, oil on canvas. Anne Subercaseaux finds sub...

A painting by Penelope Gottlieb. "Castilleja cruenta standl" is a contemporary painting, ink, acrylic and oil on canvas panel in a variety of bright, bold colors by American artist Penelope Gottlieb. After receiving her BFA from the Art Center College for Design in Pasadena, Penelope Gottlieb went on to earn her MFA from the University of California in Santa Barbara where she currently lives and works. Gottlieb’s artistic repertoire is thoroughly modern and includes innovative paintings as well as compelling media design, for which she received an Emmy in the field of motion picture title design in 1993. Gottlieb’s more recent works showcase a unique synthesis of her modern graphic design background and the vintage botanical renderings of natural scientists. However, her paintings are also unique in their perspective on the traditional floral still life. Stylized flora and fauna are depicted as emanating from a comic book explosion, illustrating what the artist refers to as “the dire state of the planet” as faced with species extinction and the resulting biological and ecological ramifications. These violent representations of the artistically typified placid natural world are intended as “visual eulogies for lost plant life.” The particular specimens that Gottlieb depicts are in fact extinct and she is able to recreate them only from historical drawings and botanist’s descriptions. Although avant-garde and aesthetically unique, Gottlieb’s paintings delineate clear influences from the renowned artists of Pop and Expressionist art. The composition of many of her paintings is reminiscent of Kandinsky’s canvas-filling outpours while her bold color palette and black outlines recall Lichtenstein’s comic book panels. Her work is also closely related to a more contemporary group of artists, including Alexis Rockman...

Modern, decorative painting, acrylic on canvas. Signed and dated. Signed illegible. Age-related condition.